Tuesday, 28 October 2014


Save Our Sites
Announces its 2014 General Membership Meeting
Monday, November 10, 2013 at 7:30 PM
The Ethical Humanist Society of Philadelphia
1906 S. Rittenhouse Square
Philadelphia, PA 19103
 On the agenda will be:
·        Proposals for future events for 2015
·        Nominations for the 2015 List of Endangered Sites
·        Current preservation issues to be addressed
  or more information and to RSVP, please call (215) 232-2344, (215) 915-6627
or (215) 990-7832
or just come!
Save Our Sites, 2005 Cambridge Street, Philadelphia,

The PJ depends exclusively on reader support. Please help us continue by contributing directly via PayPal, or by contributing editorial content via PhiladelphiaJunto@ymail.com. Empowered by WritersClearinghouse | S.P.Q.R. 1976 Richard Carreño, Editor Copyright MMXIV. All Rights Reserved

Monday, 27 October 2014

Wednesday, 22 October 2014

John O'Hara UnFriends Brendan Gill

LOA Befriends Pal Joey
Exeter, England
The Library of America has just published John O'Hara's libretto for Pal Joey in a two-volume collection called American Musicals, edited by Laurence Maslon.
I'm delighted, having waited for it for more than fifty years. I was afraid Wilie O'Hara Dalaney, O'Hara's daughter, was going to give the rights to the Richard Greenberg rewrite; but it's the real thing, all right. It also marks O'Hara's first appearance in LOA.

Incidentally, I read John Updike's New Yorker review of The Art of Burning Bridges. A terrific corrective of O'Hara's taciturn image, as well as of his feud with Brendan Gill. Apparently the break with the magazine had little to do with Gill's A Rage to Live review; O'Hara asked to be paid for stories the magazine rejected.

Mr. New Yorker
Brendan Gill
[WritersClearinghouse News Service]
Brendan Gill was ten years younger than O'Hara, but his level of production -- sheer wattage in words contributed to The New Yorker -- probably exceeded John O'Hara's output. Gill wrote fiction, drama, film, and architecture reviews, comment, and profiles. Short of Harold Ross and William Shawn, Gill was 'Mr. New Yorker.' That distinction wasn't lost on O'Hara; it was probably enough to put him on O'Hara's very long enemies list.

Putting O'Hara's enmity over the top was Gill's negative of review in The New Yorker of O'Hara's blockbusterA Rage to Live. Their relationship was already testy. Gill wore his Irish gently. O'Hara did not. Gill's Yale education and Scull & Bones membership came to him naturally. O'Hara was always striving for Ivy-covered totems and Establishment acceptance.

Saturday, 18 October 2014

A Novel Look

The author, Paris, 1967
Not many get to see themselves up close and personal in the pages of a novel.
Or, more precisely, who they were -- at twenty.
I did recently.

That view of me, at least, beyond what I saw, or imagined what I saw, more than forty years ago in a bygone looking glass, came in the form of a literary time-machine, a very long novel called French Lessons by popular chicklit-author Peg Craig. At times, the appraisal seems superficial. Also, penetrating. Except, of course, for a violent streak that she attributes to my literary me. Ouch!

I knew Peg Craig, in Paris in 1967. Not well. But evidently she was paying attention. A lot more than I was.

A friend recommended her e-book not long ago, noting that the Kindle-ready, down-loadable text (Amazon.com; $10) was well received when Craig published the book in 2012. Part fiction, part autobiography, the book is all girly-girly, told by a seventeen-year-old narrator who studies in 60s Paris. Gee, Pierre, I wonder how I missed that one.

Books Received: The Return of George Washington


The Return of George Washington
Edward J. Larson
William J. Morrow (2014
pp 366; $29.99

Pulitzer Prize-winning historian Edward J. Larson recovers a crucially important—yet almost always overlooked—chapter of George Washington’s life, revealing how Washington saved the United States by coming out of retirement to lead the Constitutional Convention and serve as our first president.

After leading the Continental Army to victory in the Revolutionary War, George Washington shocked the world: he retired. In December 1783, General Washington, the most powerful man in the country, stepped down as Commander in Chief and returned to private life at Mount Vernon. Yet as Washington contentedly grew his estate, the fledgling American experiment floundered. Under the Articles of Confederation, the weak central government was unable to raise revenue to pay its debts or reach a consensus on national policy. The states bickered and grew apart.

Friday, 10 October 2014

Whistlejacket: George Stubbs' Masterpiece

The author and Whistlejacket
By Richard Carreño
[WritersClearinghouse News Service]
There's no lack of works by George Stubbs, the gifted 18th-century English animal and sporting painter, in museums around the world, particulary those in the United States and here in Britain. The largest number, with hundreds of oils, etchings, engravings, and other works on paper, is located at the Yale Center for British Art, thanks to the museum's founder and benefactor, the late, great philanthropist Paul Mellon. Mellon's keen interest in Stubbs (1724-1806) is also on generous display at the Virginia Museum of Fine Arts in Richmond. Even the Philadelphia Museum of Art has several examples of his work. Over here, the Tate Britain easily fills a few gallery walls with the master's pictures.
Here and elsewhere, we see Stubbs as he almost single-handedly launched the figurative animal genre, in portraits and in landscapes that burst with the kind of real-life energy that invested many of the greenswards of country homes and stables manicured by Capability Brown's verdant hand.

Aristocratic horsemen, their grooms, and jockeys may often populate these scenes. But despite their presence, it's always the horse we care about most. Even in paintings in which horses don't figure, the setting is always sufficiently pastoral that, at any given minute, the viewer wouldn't be surprised if a foal or two trotted on to the canvass. Stubbs' marvelous dog pictures can stand alone. But they also summon up a country life wherein a mounted gentleman or two would never be out of place.

Thursday, 9 October 2014

Books Received: French Lessons

Her French Revolution
French Lessons
By Peg Craig
E-book available via Amazon for Kindle

Author Peg Craig introduces:
Meg is a pretty 17-year-old virgin. Her sheltered southern upbringing works very well in Alexandria, Va., but begins to prove burdensome when she is thrown into culture shock. This comical adventure begins with Meg failing to get accepted to any of the 20 colleges she has applied to when, by a twist of fate, she ends up being accepted to The Cathedral College in Paris, France. The tale takes place in one of the most interesting times in modern American….and French history, the one year between May 1967 and May 1968.

Sunday, 5 October 2014

More Barnes Kvetching....

Dr. Albert Barnes

Albert Barnes and Paul Guillaume

Monday, 22 September 2014


By Cheeky Posted 22 September 2014
[WritersClearinghouse News Service]
Saint Joseph, Michigan
The rain, humidity and dreadful heat finally ended so I am riding, well sitting, high.... I was very lethargic and unhappy as the air conditioning dries out my little pink nose and causes my lovely fur to resemble a Brill-O pad. I'm not complaining as I don't care for the frizzies in my tail either, just an observation.
Photo: WritersClearinghouse News Service/Harriet Eser Phillips
Mom and her best friend (what? I thought I was her best friend.... Oh that's true, but here we are talking two-legged category and I of course am Number One Winner in the four-legged love race....) Anyway, Mom and her best friend went to the beach yesterday. Now in my opinion "the beach" qualifies as the world's biggest sand box and I refuse to go there, not because I am unwelcome, seriously NO PETS.... I would be adored if only the other sunbathers made my acquaintance, but because I know I would be overwhelmed and exhaust myself digging little holes everywhere and never even reaching China. Not at all my cup of oolong. 

Thursday, 18 September 2014

Scotland Votes for Independence


Results to be Known Friday
A Cri de Coeur
By Our London Correspondent  
[WritersClearinghouse News Service]
London Posted 18 September 2014
This  may be Great Britain's last forty-eight hours as a united country, with the referendum on Scottish independence taking place today. (18 September 2014).
As you know, I have always been a political person, but nothing I have experienced, including the election of Nixon in the US, has distressed me like this. When I read that the Yes campaign had closed a thirty point gap in the
polls and had now edged ahead of Better Together, I actually felt queasy.

And angry.  Angry at the imminent victory of parochialism and
quasi-religious nationalism over common sense.  Angry at the untruths
and half-truths peddled by that oily little fourflusher, Salmond, and
his harridan of a deputy, Nicola Sturgeon.  Angry that they have
stirred up  witches' brew of conflict and hatred the like of which I
have never seen in this country and which will poison the relationship
of Scotland and England for years to come, whatever the outcome of the

Tuesday, 16 September 2014

Francisco Goya

 Whimsy with Bite
[WritersClearinghouse News Service] Posted 16 September 2014
Tony Auth's recent death got me thinking about an exhibit of cartoons by Goya I visited about a fortnight ago at the Allentown Art Museum.
Auth, a former editorial cartoonist for The Philadelphia Inquirer, and Francisco Goya, Spain's great 19th century court painter, in the same breath?
Yes, because Goya (1764-1828), though often best known for such full-figure portraits such as the Duchess of Alba and the Nude Maja and Clothed Maja, was also an early social realist and Spain's first, yes, first, modern painter. It's hard not to to think of the horror of war depicted in Picasso's Guernica when viewing Goya's equally horrific scene of bloodshed in his Third of May, 1808. Goya's spirit imbued a new form of political and societal criticism that flowed in subsequent centuries from the sharpened quills of such penny-press English sharpshooters as William Hogarth,  George Cruikshank, James Gilray, Gerald Scarfe, Ralph Steadman, and Steve Bell.

Wednesday, 10 September 2014

David Lynch Declares that Philadelphia is Now a 'Normal' City


'It [Philadelphia] is very much brighter now. It's, like I say, it's normal. I don't feel it's cut off from the world. It's joined the rest of the world. It's cleaner. It's now normal!'

Monday, 8 September 2014

Nashville's Parthenon

Photo: WritersClearinghouse News Service
[WritersClearinghouse News Service] Posted 9 September 2014
Yes, Nashville is a whole lot of country. And, yes, a whole lot of Greek.
Move over Greek frats, Greek coffee cups, and Greek yogurt, Nashville also has its own version of what is indisputably the most important and most widely recognized monument to embody that other Greek culture, the 5th century BCE Parthenon temple.
Nashville's Parthenon is a little-known, life-sized replica, and it's the kind of iconic symbol that puts the Western (that is, Western as in Classical Greek) in this otherwise country tunes mecca of 600,000.  Legendary chapeau-wearing songstress Minnie Pearl might still be more widely worshipped in that other 'temple' of culture here, the Grand Ol' Opry. But just minutes from downtown, near the Vanderbilt University campus, another godly figure, Athena, yes, even a more powerful yet than Minnie, is given tribute in her Parthenon temple.
Still surprisingly, Nashville's Athena, ancient Greece's goddess of wisdom, hardly gets her due. Just as recently as in last Sunday's New York Times' travel section, a '36 Hour in Nashville's' feature ignored what's surely the second-most important house of worship here. Just after, of course, Dolly's 'Partonon,' as the Opry's original venue at the Ryman Auditorium is referred to by some more classically-trained fans of the country-western megastar Dolly Parton.
This, too, in a nation that likes to 'import' Europe to her shores (Randolph Heart's castle in California is Exhibit A) to just recreating it (Venice and Paris venues in Las Vegas).

Friday, 5 September 2014

Love Songs

Frank Bompadre
Bows at Francoluigi's
Crooner FRANK BOMPADRE last night (4 September) knocked out a love song to his wife Deeanna at Francoluigi's, 13th and Tasker in South Philly. As for resto, five stars. 

Thursday, 4 September 2014

Frist Center for the Visual Arts

Main Hall, interior
Photo: WritersClearinghouse News Service
 Frist First
The Frist Center for the Visual Arts embodies one of the best examples of architectural repurposing that I've ever witnessed. Thankfully, Americans in the last decade or so have come realize, after the annum horribli debacles of the '60s, '70s, and the even into the '80s, that architectural preservation is preferable to the wholesale destruction of the urban vernacular that was rampant in those decades. Witness the destruction of Centre City Philadelphia by Edward Bacon as Exhibit A.  I suspect, given the boom in recent highrises monsters in downtown Nashville, that this city also has undergone its share of urban gutting.

Fortunately that urban 'renewal,' as it may have occurred, did not extend to several city jewels, including Nashville's old downtown high school (now the city's main branch library), its main Victorian-styled railroad station (now a fancy hotel), and adjacent on Broadway, the old main U.S. Post Office (now the Frist).

The conversion of the post office, constructed in 1934 as an Art Deco gem, was completed in 2001, when the Frist occupied the premises. (The building is similar to Philadelphia's Art Deco post office branch on Market East. But more decorative and pristine). The conversion was undertaken with loving detail. It's a marvel.

Saturday, 30 August 2014

Fly on the Wall

Somm Wine, Somm Movie
By Don Merlot
[WritersClearinghouse News Service] Posted 30 August 2014
New Orleans
As soon as I heard that the documentary movie called Somm was released I wanted to see it. I looked for a cinema house that would carry this and found none in my area. At the time, as now, there were so many events going on my splendid life and thoughts, it just slipped away. The magic of the digital world came to me with Netflix and I searched for that movie, and found it and saw it. 
After I saw it I read the reviews of the cognoscenti, I came to the conclusion that the movie they saw was not the same movie I saw. The question remained, however, does it have something to teach and can it advance one’s knowledge and appreciation for wine?
That mentor I had who directed my first steps into the world of the global stage said that as you muddle through everyday life, try and learn something new every day. He also offered the unique thought (because he was a New Yorker at heart), never eat at the same restaurant twice. If you liked it the first time, you will be disappointed the second time. There is no second time for a restaurant that did not pass the test the first time, because it should have been right the first time. He recommended that wines should be treated the very same way. There are so many good wines and types that one should find as many of the wines he or she like to drink and stay away from the ones that their taste does  not please them: red  rosé white, tannin, dry, sweet, fruity, so on. Back when I first started, the French were known for saying that wine is like women: there are some women (or bottles) that are more beautiful than others. But that was then. Now is now, 50 years later. 

Thursday, 21 August 2014

At the Cincinnati Art Museum

Daughters of Revolution
American Gothic

By Richard Carreño
[WritersClearinghouse News Service]
Posted 21 August 2014
Cincinnati, Ohio
Cincinnati arts lovers are understandably thrilled that American Gothic, the iconic portrait of two stone-faced Midwestern homesteaders, will be displayed at the Cincinnati Art Museum this month, thanks to a loan from the Art Institute of Chicago. The signature work of Grant Wood, the enigmatic mid-20th century regionalist from Iowa, has become America's answer to the Mona Lisa. As with Leonardo's best-known portrait, everyone thinks they know Grant's 1930 painting. Everyone has seen a reproduction, or a parody knock-off. And everyone sort of likes it. But why?
The answer to that lingering conundrum — one that I've wrestled with over the years — will likely be revealed when American Gothic is paired, in late August, in an exhibit titled 'Conversations Around American Gothic,. with Grant's other great work, Daughters of Revolution, one of the many jewels of Cincinnati Art Museum's permanent collection. Think of Daughters as a pictorial road map to American Gothic: Its satirical narrative of mincing, tea-swigging old biddies can serve as a key to unraveling the rigorous, complex character study in Gothic. Together, this duality results in an unexpected epiphany, chipping away maybe — just maybe — at the Wood enigma.
What's revealed, at least, in part, is a Depression-era artist (1891 - 1942) who was a powerful societal critic of anti-Roosevelt Farmland, USA. As Midwest author Sinclair Lewis did for literary satire, Wood stepped forward — if sometimes only tentatively — as a regional critic. Using modern art as his form, in Gothic and Daughters, we witness Wood Unplugged.

Monday, 18 August 2014

Letter from Switzerland

The author and her grandfather (1964)
Yodeling and Kvetching in the Alps
By Harriet Eser Phillips
[WritersClearinghouse News Service] Posted 19 August 2014
South Bend, Indiana
That damn it to hell Linkedin.... I was trying to look somebody up and of course without "joining" you can't do that.... and even then the info was sketchy so I am triple aggravated.  Chances of deleting myself are very good indeed.
I truly hate gadgets. Mme Ludite for sure.  21st Century version of Mme Lafarge, I think.  Watching the death of civilization while I dust.
Oh Lausanne!  Ponce de Leon threw up the pizza he swiped.  Yes, I could have told him that was a foolish heist.... I remember it well....
Barbara was a drunk as a witch on Halloween and descended into the potted palm.... It was Fourth of July time, 1964, we flew to Europe from Venezuela, and there was a massive patriotic themed dinner at a swanky restaurant complete with a gigantic ice carving of a goose (well swan, maybe), featuring caviar or some such between his fridgedly  frozen wings. Must be the company picked up the tab.
I sat next to the Swiss office comptroller, if I say Fogelsanger I'm close, could have been Feuchtwanger. Anyway, he was pointing out the wonders of the Swiss navy, and I asked him if he thought maneuvers in Lake Constanz would serve them well when there is a major invasion?  Am I wrong, or is Switzerland landlocked?

Best of Boston: Bookshops

 The Raven and the Brattle
The Raven

The Brattle's Ken Gloss
In 2009, John Petrovato began to search for a Boston location for a second store. Despite trepidation among the general public about the declining state of the retail book business, John felt a quality bookstore in a prime location could do well. In March, 2010, he opened Raven Used Books on the best known shopping street in New England-- Newbury Street in Boston.
The Raven's John Petrovato
Located between Gloucester and Fairfield streets, The Raven has already established itself as a prime tourist destination as well as local community bookstore. As in Harvard Square, neighbors and visitors alike were excited to see a privately owned local business open up in an area where chain stores have become more prevalent. In 2011, the store began hosting readings and book launches, including luminary speakers such as Noam Chomsky. In its first year of business, the book store sold almost 50,000 books. The Boston store was awarded "Best of the New" by the Boston Globe in 2010 and both shops won the Boston Phoenix's readers poll for "Best Used Bookstore" for 2011.

Saturday, 9 August 2014

Bechtler Museum of Modern Art

Photo: WritersClearinghouse News Service
Mario Botta: Architecture and Memory
Mario Botto

Location: Fourth-floor gallery On View: January 31, 2014 - September 1, 2014 (extended)                

Charlotte, North Carolina
Mario Botta: Architecture and Memory is an exhibition spanning the 50-year career of internationally acclaimed architect Mario Botta, the designer of the Bechtler Museum of Modern Art building and one of the century's most fundamental contributors to postmodern architecture. Featured are sketches, original wood models and photographs exemplifying Botta’s use of geometric shapes that juxtapose lightness and weight. The run of the exhibition has been extended through September 1, 2014.

Used Rare Antiquarian New Books via philabooksbooksellers.blogspot.com

Used Rare Antiquarian New Books via philabooksbooksellers.blogspot.com
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